#But I think I ended up experimenting with my art style enough | Explore Tumblr posts and blogs

mrsjellymunson · 9 months ago

Text

The Biology Tutor | Extra Credits 02

Extra Credits 02: FRENCH

Series masterlist

Prev: Lesson 1: Female Anatomy | Lesson 2: Male Anatomy | Extra Credits 01: Communication Skills Next: Independent Study 01: Art | Independent Study 02: Creative Writing

Pairing: virgin!Eddie Munson x fem!tutor!reader

Series summary: Eddie’s failing Biology class, so you decide to offer two different styles of tuition, textbook-based and *ahem* practical.

Chapter summary: You give Eddie a French lesson.

WC: 2.9k

CW: 🔞 18+ MDNI! This part isn't explicit, but the rest of the series is, so MDNI!! Fluff, kissing, mentions of arousal.

A/N: This takes place between Extra Credit 1 and Lesson 3. It’s an added extra to The Biology Tutor series.

My masterlist

Despite your best efforts to keep things cool, you and Eddie’s relationship at school has shifted.

Eddie will greet you with a cheery, “Heeey, Princess”, whenever you pass in the corridors, and you’ll sometimes give him a cheeky wave in the lunchroom. You both flush a little whenever your eyes lock, thinking about all the intimate stuff you’ve done together over the past days and weeks.

Thankfully, as yet none of your friends have noticed the way you’ve started to giggle a little more loudly at Eddie’s antics on the lunch tables, or the way he shoots you cheeky glances to check that you’re watching. Each of your social groups would likely have something disparaging to say, and you’d prefer to avoid that kind of attention for the time being.

You’ve become even more aware of your physical proximity in Biology class. Even though you could probably reach out and touch each other (and you would really, really like to do that…) you try not to draw too much attention to yourselves.

You’re finding it hard to keep your focus on the front, knowing that Eddie’s sitting inches away behind you. But you revel in the fact that he’s there at all (and is, in all likelihood, checking out your ass).

At the end of class, Mr Clarke calls you over.

“I wanted to thank you for your efforts regarding the private tutoring. Mr Munson’s work has certainly improved since you began, as has his class attendance, which is remarkable in and of itself. And he seems to have become more enthusiastic about the human biology aspect of the syllabus too, which is… unexpected, but really good to see.”

He looks off to one side, momentarily bemused, but recovers quickly and continues,

“Nevertheless, there is a big test coming up which, as you know, makes up a sizable proportion of your grade. I would very much like to see Mr Munson do well. I was hoping that you might help him prepare, and in the hopes that you’d agree, I’ve already booked private study room 2C in the library specifically for this purpose.”

You know the library well, and the one he’s describing is a particularly quiet one, located at the back of the rarely-used reference section. If you can get Eddie to join you, it’ll be the first time you’ve ever been alone with him at school. You experience a frisson of excitement at the thought.

You readily agree, figuring that even if that wasn’t reason enough, getting further in the good graces of Mr Clarke wouldn’t necessarily be a bad thing. However, you do think convincing Eddie to relinquish his entire lunchtime might be another matter entirely.

You approach him in the lunchroom, managing to get to him before his usual table fills up with nerds. He was initially aghast that you were anywhere near him, but once he realised nobody was really interested he listened to your proposal.

“You seriously do this shit voluntarily?” is his only response, until you mention, more quietly, how it would mean spending an entire hour in a small, isolated room. With you. Alone.

Suddenly, he’s all for it, packing up his stuff as you exit ahead of him. He extols the virtues of ‘accepting with grace the assistance the universe offers you’ to the smattering of confused Hellfire boys before hightailing it out of the hall, stuffing pretzels into his mouth as he goes.

You reach the study room first, and are already setting out books and pencils as Eddie barrels in. He practically skids to a halt, and ambles towards you, rubbing the back of his neck and trying to act nonchalant.

“Hey, Princess.”

He plops his bag onto the tabletop, and as he gestures to the empty seats next to you and across the table, he drops his voice to a lower timbre as he asks you,

“So, uh, where do you want me?”

Thanks to his mildly suggestive question, an image flashes across your mind of perching him, naked, on the edge of the table and climbing atop him, but you quickly shake it.

You tap your hand on the seat next to you, and he enthusiastically flops himself down in it. He sits up straight, clasping his hands in his lap, theatrically attentive.

As he’s already managed to fluster you, you decide to fluster him right back.

“You’re so good at doing what I tell you, Eddie. I like that.”

Eddie’s cheeks flush pink and he swallows hard. It worked.

It doesn't take long for you to go over the test questions. Eddie’s picked up more than he’d thought from the parts of your sessions where you’d actually studied, and he flies through most of it, only getting stuck on a couple of gnarly chemistry formulae. What’s more, he actually looks like he’s having fun, gaining genuine satisfaction from answering your questions correctly and beaming as you let him know,

“That’s it, Eddie! You’ve got it!”

You can’t tell whether it’s the academic achievement, or the broad smiles and encouragement that you’re giving him, that’s his biggest driver, but at this point you’ll take either as a win.

You've gradually started sitting closer as the session has gone on. You’ve scootched to the edges of your seats, and your elbows and knees are gently knocking together. You can feel Eddie’s breath on your cheek as he jabs at his test total on your pad, screwing up his face and making a fist with his other hand in triumph. You’re genuinely thrilled for him, and not just because the very idea that you could be the reason for those gorgeous dimples popping makes your tummy flip.

Checking your watch, you realise you have a few minutes left before you have to leave, and there’s another new ‘skill’ that you’ve been thinking about trying with him.

Once all your supplies are back in your bag, you check the time again before asking,

“Eddie, would you like to try another quick practical session?”

He looks around the room, eyebrows disappearing into his bangs.

“What, here? Now?”

“Yes, but not like our, um, previous sessions. Something less… involved.”

“Okay, but what is it?”

“Eddie, I hope you don’t mind me asking you this, but have you ever kissed anyone?”

He looks a little abashed as he answers,

“Umm, does kissing your relatives on the cheek count?”

You can’t help smiling at his cute admission.

“For the purposes of this discussion, I’m gonna say no.”

He looks self-conscious, maybe even a little ashamed. Staring at the edge of the table, he clears his throat before replying,

“Then, uh, no.”

Not wanting him to feel uncomfortable, you reassure him,

“That’s okay, Eddie. It’s nothing to be embarrassed about.”

After a beat, you continue,

“Would you like to try it? With me?”

“What?”

“Would you like for us to kiss, Eddie?”

His eyes become locked on your mouth. He swallows audibly, eyes shining with want.

“Umm, yeah. Yes. Yes, I absolutely would, Princess.”

“Just so I know how far you want to go, would you like us to… French kiss?“

“You mean… W- with, y’know, tongue?”

“Yes, Eddie. That’s exactly what I mean.”

“Are you okay with that? I mean, you don’t have to…”

Shaking your head a little, you reassure him,

“I’m the one who suggested it, Eddie!”

He looks down at his hands, now clasped again as he rubs his thumbs together.

“Only if you’re sure. I might be awful at it.”

“Well, that’s why we practice, right? So, first of all, we need to get a little closer…”

You turn your seat so you’re facing him directly, encouraging him to do the same. You pull your seat forwards, slotting your knees between his. You see his eyes scanning your face, and his fingers fidget, suggesting he’s not really sure what to do with them.

“You can rest your hands on my legs if you’d like, Eddie.”

He does so, but not without a little trepidation, and you see him swallow again.

“Just relax. I’m not gonna bite you. Not this time, anyway.”

You give him what you hope is a cheeky smirk. He smiles shyly, not sure where to look when you’re this close to him. Nervously, he licks his lips. The sight makes your thighs clench.

“Close your eyes and relax, Eddie. I’m gonna start with a quick peck.”

“O- okaaaay.”

He does as you ask, and you spend a few moments appraising him before you lean into his space. He looks angelic, his wild curls framing his pretty face and his rosy pink lips looking soft and inviting.

You turn your head slightly so your nose will slide past his, close your eyes, and ever so slowly connect your lips with his. Pursing them a little, you press forwards, and you hear a slight intake of breath.

You said it was going to be quick, but you’re enjoying the feeling so much you relish in it for a few moments. Eddie’s lips are plump, warm, and just a little moist from where he’s licked them. A tiny amount of stubble tickles your top lip. He smells of old leather, some kind of spicy cologne and vanilla chapstick, with a hint of cigarettes and weed. It’s a heady scent you could easily get lost in.

Gathering yourself, you pull back, rolling your lips inwards to taste him.

Eddie still has his eyes closed. If you’re honest he looks like he’s about to faint. Even after all you’ve done together you’re still a little nervous, and you’re suddenly mortified that he found it repulsive.

You did remember to brush your teeth this morning, didn’t you? Did you eat garlic last night and forget? Do you have spinach in your teeth, even though you definitely haven’t eaten spinach in weeks??

“H- how was that, Eddie? Did you like it?”

Suddenly, his eyes pop open. His lips part a little and he nods his head quickly, causing his chestnut locks to bounce around his face. He stares at you for a few more moments before he manages to say in a tiny, cracking voice,

“More? Please?”

You smile widely, and lean in again.

This time you move a little, pursing and softening your lips, changing their position slightly to find out what he likes, slotting them in different places.

To your surprise, this time Eddie starts to kiss you back. His plump lips press against yours and the tiniest moan emanates from his chest. He’s tentative at first, but as he gains in confidence he presses a little harder, and moves a little more.

Your lips move in sync as you rhythmically purse and relax them.

Eddie exhales heavily, and more than a little shakily, through his nose, and you feel his warm breath dance across your face and décolletage.

You part from him with a subtle wet smack.

He swallows thickly, and the grip on your knees strengthens.

You smile at him again, and his eyes flick between yours as he mirrors your expression.

“Okay Eddie, if you’re ready, this time I’m gonna use my tongue. You don’t have to do anything, but if you want to, just do what feels good. Alright?”

Eddie gives you another tiny, fast nod, and you feel him squeeze your knees again.

“Are you ready?”

“Yeah, I’m ready…”

He surprises you again as he shifts his hands slightly and slides them up your thighs, leaning into your space a little further. They feel warm, strong, and you can’t help but imagine how they might feel elsewhere.

What would it be like to hold his hand properly? Would his hand feel warm as it cupped your face? Would you be able to feel his rings? How would his calloused fingers feel running up your back, or across your…?

You’re broken from your thoughts as he closes his eyes again, a slight curl to his lips as he lets you know he’s ready.

You lean into his space again, and connect your lips as before. This time, you part your lips slightly and allow the tip of your tongue to poke out, and ever so gently brush across his lower lip. You hear that sharp intake of breath again as he stills, unsure of what he’s supposed to do, but then he parts his lips ever so slightly, and you slide your tongue past his lips and pearly teeth and into his mouth. You move it slowly, enjoying the feeling of his lips against it, the scrape of his teeth, the softness of his tongue beneath yours.

He moans again, and just as your tongue curls up to tickle the roof of his mouth suddenly his tongue is moving against yours, slowly, reverently, experimentally, and another moan leaves his chest.

His grip on your thighs tightens as he gets bolder, eventually pushing his tongue past your lips and into your mouth.

Abruptly, he turns his head slightly and pushes in more deeply, his tongue almost filling you. He’s insistent yet gentle, and now it’s your turn to gasp - he’s good at this - and a low whine leaves you.

You feel a chill on your legs as Eddie’s hands leave them, and you’re momentarily disappointed, but this rapidly turns into delighted surprise when one comes up to cup the back of your neck, the other grabbing the edge of your chair and pulling you closer towards him. He’s moaning continually now, turning his head to try different angles, licking and curling and sucking like you’re the very air he needs to breathe.

He’s pushing hard but not too hard, and when your teeth knock it’s adorable rather than uncomfortable.

It’s wet and messy, and oh, so fucking hot.

Your hands start travelling almost of their own accord, slipping up inside his jacket, sliding around his rib cage and settling on his surprisingly muscular back.

His hand travels up to your hair, mussing it, and you’re making his shirt ride up, but you couldn’t care less, lost in the sensations of your lips melding and tongues dancing.

There’s a pulsing heat in your core, and a wetness building in your underwear. You don’t think you've ever been this turned on just from kissing.

And how on Earth is Eddie so good at it?

You eventually both pull back, needing air, breathy and inhaling deeply.

Your eyes dance around his face, wanting to take it all in. His plump, kiss-bitten lips, his blown pupils, the way he’s looking at you with a stunned half-smile.

Needing a break from the intensity, you drop your eyes. But almost wish you hadn’t when you spot the obvious bulge in the front of Eddie’s pants.

He’s clearly enjoyed this as much as you have.

Just as you’re both leaning forward for another round, lips just brushing, the harsh and loud ringing of the school bell indicates the start of afternoon classes.

You and Eddie break apart with a start, exchanging breathy smiles, both a little surprised at how well that went.

He chuckles as he lets go of your hair, tidying it as best he can, and you pull down the hem of his shirt to straighten it.

”So, uh, I think I’d consider that lesson a success. Wouldn’t you, Mr Munson?”

He huffs out a little giggle, shaking his head slowly. His brow furrows and he fixes his face into as serious an expression as he can manage, as he dips his chin and replies,

“Oh, Princess, that feels like a great start. But you know, lessons work with me. So, just to be on the safe side, I think I might need a whole lot, lot more practice...”

He’s holding your gaze and nodding, raising his eyebrows and pursing his lips for emphasis.

You nearly snort at his brazenness, constantly amazed at how he so easily flips between abject fear and bolshy confidence, and manage to squeak out,

“Well, we’ll just have to see what we can arrange, won’t we?”

He grins at you again, those dimples even deeper this time, and tidies one more strand of hair at your temple.

Reluctantly, you both gather your things and leave the study room, still with shiny lips and heat in your cheeks.

You walk leisurely, your upper arms brushing, through the racks of dusty tomes. Neither of you is in any particular hurry to get to your next class.

You glance to your side, and notice that Eddie seems bigger, taller. He’s puffing his chest and is carrying himself a little differently. You like it.

He turns to you as he asks, “D’you think we should, y’know, leave separately or whatever?”

“Yeah, that’s probably a good idea. Awkward questions, and all that.”

You see Eddie’s eyes glance to the floor, then flit to the section containing the large encyclopaedias and dictionaries, before he adds,

“You know what, you go first. There’s something I want to check out in the reference section anyway…”

He flashes you a wink as you round the door jamb, causing something to revolve in your chest as you step out into the corridor. You definitely want to offer Eddie plenty of opportunities to practice this particular new skill.

As you head off to your next class, you wonder what on earth he could be up to. But more than that, you wonder how he’ll react to what you have in mind for your next study session…

Series masterlist

Prev: Lesson 1: Female anatomy | Lesson 2: Male Anatomy | Extra Credits 01: Communication Skills Next: Independent Study 01: Art | Independent Study 02: Creative Writing

Thanks so much for reading!

Remember, writers thrive on your comments and reblogs, so if you liked this little extra please show some love 💕

A/N 2: I added this as an extra because I wanted Eddie and reader to share a special first kiss, but couldn’t work out how to fit it into the main Lessons without making them ridiculously long. I hope you like it!

The taglist for this series is open whilst it’s ongoing, and I have a general one now too - just let me know if you’d like to join either 😀 My masterlist, where you’ll find more Eddie and Steddie fics

Taglist (open whilst this series is ongoing): @airen256 @bimbobaggins69 @urlbitchin @jamdoughnutmagician @rustboxstarr @bl4ckt00thgr1n @bexreadstoomuch @cozmiccass @sadlittlesquish @yujyujj @cluz1babe @thunderg @aysheashea @paleidiot @cadence73 @eddie-munsons-wifey @siriuslysmoking @neville-is-my-husband @aestheticaltcow @jjmaybankswifes-blog @lightcommastix @ungracefularchimedes @spenciesprincess @joejoequinnquinn @freshoutthewomb2 @sunshinepeachx @tlclick73 @hellfirenacht @yourdailymemedelivery @wendyxox @madaboutmunson @80s-addict @the-unforgivenn @skrzydlak @eddiesxangel @bunny7232 @starksbabie

300 notes · View notes

ladyloveandjustice · 18 days ago

Text

My Favorite New Manga and Graphic Novels I Read in 2024

I read 114 manga volumes and graphic novels last year! Here’s a link to my Goodreads year in books, which tallies one book from each manga series ( I've arranged it so the manga/gns at the beginning, the novels start with Red, White & Royal Blue) and my storygraph wrap up.

I have a post for my favorite books of 2024 you can read here! I also have a post on my top 12 anime for 2024 and you can read it here! (Also, since a lot of this is yuri, check out my broader yuri manga rec post here!)

Now let's get to all the new manga, with a little check in on ongoing titles at the bottom!

Love Bullet by inee

When someone who never had the chance to experience love meets an untimely death, they're given a chance to become a cupid. If they help enough people fall in love, they earn the chance to have another shot at life. Koharu meets her end after her best friend, Aki, confesses her love to her, and she becomes a cupid...

Love Bullet is a brand new yuri with fun characters and a cute art style that feels a little charmingly retro. The concept of modern day cupids using firearms and behaving like sharpshooters in an action movie is so fun, but there's also a beating heart behind it. The tragedy of Koharu's life being cut sort and the bittersweet arc where Koharu tries to help her living best friend deal with her lingering trauma over her sudden death...it's touching and well written. All the cupids already have a really great dynamic, and as befitting a yuri, the way the girls approach their jobs is casually queer, with the "targets" often shown to have both guy and girl options.

It's a story with great potential that seems like it could go a ton of interesting places. It's a little different than the rest of this list that it's not officially out in English yet. The reason it's here is because the author sent out an SOS that the first Japanese volume is struggling in sales, and the international yuri community, excited about the awesome story they've seen so far, rose to the challenge and bought out the first volume in Japanese! So far it's been successful! If you end up reading it (you'll have to rely on scanlation but they're easy to find) or even if you just simply want to support a cool story. I really encourage you to do the same. Here's a document on how to buy the Japanese version. Hopefully, the grassroots support will mean we get an official English release soon!

The Summer You Were There by Yuama

All you lovers of tragic lesbians, this is for you. The manga follows Shizuku, a deeply depressed girl who is so guilty about something in her past she's got some serious suicidal ideation going. But when Kaori, a girl in her class, reads her writing and guesses what's behind it, she challenges Shizuku to a bet where she has to write a novel about a romance between the two of them. Now they're suddenly spending a lot of time together, and Kaori is helping Shizuku unpack her guilt. However, Kaori is struggling too. She's actually very sick, and though she hides it, it's getting worse.

The manga is a heart wrenching meditation on grief and redemption. For very different reasons, both girls think they don't deserve love and both girls are shown they're very, very wrong by the other.

I like how Kaori tries to be the manic pixie dream girl who fixes all of Shizuku's problems, but then Shizuku very firmly says "what the hell. no. You need support too" and they're both allowed to be full characters who find solace in each other. Shizuku's backstory is also really interesting, and it hits hard. It's just a very touching, but very sad read.

Barefoot Gen by Keiji Nakazawa

Barefoot Gen is a semi-autobiographical manga by Hiroshima survivor Nakazawa Keiji. Nakazawa said the story is taken not just from his life, but those of fellow survivors he talked to and lived with.

The story follows a boy named Gen, depicting how most of his family were killed by the atomic bomb, and how he struggled to survive in a post-war Japan, while surrounded by the horrible effects of radiation poisoning, economic devastation, and American imperialism.

It sticks out from other animanga I've seen about WWII bombings in that it's very critical and angry at the Japanese government, to the point that Gen even calls the Emperor a war criminal. What stands out even more is how direct it is in denouncing of Japan's war crimes against Korea and China, as well as condemning Japanese racism against Koreans. It makes sure you know that Korean POWs and forced laborers also died and suffered because of the bomb, and that the Japanese doctors discriminated against them, forcing Koreans to wait on receiving medical treatment until every Japanese person was treated.

It does a stomach churning, effective job depicting the horror of radiation poisoning and war, and its message is extremely firm: Its the common people who suffer in the wars while those in power exploit them, that war and violence are an endless vicious cycle we must break free from, and nuclear bombing must never happen again.

Though it puts a lot of blame on the Japanese government for entering the war and on citizens for supporting it, the story is also critical of America's cruelty and imperialism, depicting lot of things America did to Japanese citizens post-war we don't get taught-- like soldiers sexually assaulting Japanese women, like getting Japanese labor activists and protestors removed from their jobs, like literally torturing Japanese leftists, like luring Japanese citizens to treatment centers with promises of medical aid for radiation sickness, only to collect the data and send them off with no help...

Though the manga is brutal, there are moments of comradery and kindness (and a lot of silly humor). Gen helps a lot of people along the way, and his resilience and his message not to give up is the heart of the manga. It's educational and very direct about subjects that both sides don't want to acknowledge-- both Japanese nationalists and American nationalists do not like it (you can learn more about that here). Despite extremely gruesome content, it's aimed at kids, so it's very blunt and direct in its messages and dialogue. But that can be kind of refreshing.

It can get a little repetitive on occasion and storylines and characters tend to be introduced very abruptly, but it does keep you rooting for and feeling for the characters all the way through. I think it's an essential, highly informative and unforgettable read, and everyone should read at least a little bit. Or at the very least, read this interview with Nakazawa. If you can't handle the gruesome imagery of the comic, he describes his experience pretty in depth here, and there's a lot of other insight.

This Monster wants to Eat Me by Sai Naekawa

Hinako is a depressed girl who survived a terrible trauma and has been searching for death ever since. One day she gets approached by, Shiori, a mermaid who wants to eat her…but the thing is, this monster mermaid is a gourmet who wants her to be as delicious as possible, which means she’s going to make Hinako happy first before she eats her (as apparently that enhances her flavor). In the meantime Shiori has to fight off all the other monsters who want to snack on Hinako.

This is TOP TIER yuri horror and a must read for any lover of monster girls. It was custom made for a freak like me, who thinks a monster girl covered in the blood of her enemies seductively telling the protagonist she wants to devour her is the stuff that dreams are made of.

Shiori, the woman-eating mermaid in question, is a fascinating character right off the bat, always having a hint of menace and inhuman mystery, but showing some potential for genuinely caring for Hinako someday. There's an ongoing mystery of why monsters are so attracted to Hinako that's a good hook, as is the irony of Hinako starting to come alive thanks to a girl who wants to kill her. It's good stuff! And it'll get an anime soon, which I'm praying is worthy of such a cool story.

The Guy She Was Interested Wasn’t a Guy at All by Sumiko Arai

The green yuri! This web manga finally gotten a physical release this year! It tells the story of Mitsuki, a girl who works at a record shop. Her classmate Aya wanders in. Aya doesn't recognize Mitsuki with a face mask and hair hidden by a cap and immediately assumes Mitsuki's a guy. They bond over their mutual love of rock music and slowly start to get closer…and Aya finds her heart is fluttering not only over this mysterious boy, but her female classmate that seems a lot like him...

Despite it's clunky title, this manga makes a premise that could have been painfully cliche and, in the worst case, extremely uncomfortable and makes it work. It never swings into homophobic or transphobic territory imo. It helps that Aya is clearly catching feelings for "girl" Mitsuki along with "guy" Mitsuki from the beginning, subconsciously knowing they're the same person.

The focus of the story is the way their relationship develops through a shared love of Western rock music and it really captures the joy of finding someone who can share your interests and the affection that can spring up for that. The characters are very likeable and cute, the art is absolutely gorgeous, and the story as a whole has this laid back, naturalistic feeling while still developing at a good pace. I just really enjoy kicking back with my green yuri, and it's good reputation is well earned!

Maus by Art Spiegelman

This comic about Spiegelman interviewing his father, a Holocaust survivor, and learning his story (with Nazis being represented as cats and Jewish people as mice) is, of course, incredibly well known to the point it feels almost redundant to talk about it. But I did read it cover to cover for the first time last year, and unsurprisingly it's a great piece of art and an important story for anyone to look into.

The parts recounting the Holocaust were heartbreaking and horrifying as expected, and I'd expected that. But the things I hadn't heard as much about was how much the book explored Spiegelman's complicated relationship with his father, and his anxieties as an artist and whether he was the right one to tell this story. It was fascinating to see him struggle with those things, and it added a lot of layers.

The Moon on a Rainy Night by Kuzushiro

One rainy night, Saki runs into Kanon and is immediately infatuated with the other girl. When she sees Kanon at school, she discovers Kanon is hard of hearing. Kanon is understandably frustrated at the ableism she tends to endure. But as Saki reaches out and gets to know her, Kanon starts to open up. And Saki, having gone through struggles related to her sexuality in the past, starts getting anxious about her feelings for Kanon...

The Moon on a Rainy Night is just... REALLY good. Kanon is just a great character, and as a lover of stubborn, prickly girls I just find her so charming. She has a lot going on with her, like her interest in music and relationship with her family and various quirks.

One thing I really like is how narrative allows her to be frustrated about the stuff she goes through, allows her to have complex feelings about being disabled, and pays attention the little details. She has to clear up misconceptions she can't hear anything, she points out that only 20 percent of deaf people use sign language (but starts using it when she really relates to a movie and the way the cute actor uses it, which is such a teenager thing to do), the lip reading isn't treated as some magic thing, Kanon has to remind people to look at her or she can't hear them, and she misreads things a fair amount.

I'm not hard of hearing, so I'm far from the authority, but most examples of deaf and/or hard-of-hearing female characters I can think of in anime (okay so there's only two I can think of, can't say that qualifies as a pattern) are depicted as shy, super sweet and socially naive, so it's refreshing to have a character who brings some variety.

Saki is also super compelling as she wrestles with her insecurities.I really related when she was learning sign language and got bummed out by the heteronormativity of one sign (using "man" and "woman" for marriage). I also like that Saki finds an adult lesbian who gently supports her and mentors her, it's all very sweet. It's just a fantastic romance and character study, and I hope the upcoming anime does it justice.

Wash Day Diaries by Jamila Rowser and Robyn Smith

Wash Day Diaries follows four best friends and their daily lives through interconnected short stories. As the official summary states: "The book takes its title from the wash day experience shared by Black women everywhere of setting aside all plans and responsibilities for a full day of washing, conditioning, and nourishing their hair".

The comic makes a great use of color to reflect the characters' moods, and the girls are drawn vibrantly and distinctively. The peek into the characters' daily lives feels like getting to know some good friends, and there's a great attention to detail, especially with the comic's beautiful step-by-step depiction of how each woman does her hair and what it says about her.

The comic touches on topics like depression, dementia, and homophobia. Just like real life, these things aren't neatly resolved, but the story does offer some hope and catharsis. It's a pretty quick read, but it's packed with good stuff.

Magilumiere Magical Girls Inc. by Yu Aoki

I'm going to give myself a little break and just reuse my entry for the anime. (The only difference between them is that the manga flows a bit better than the anime, moving at a faster pace with huge panels suiting the art style and the action!)

Being a magical girl is no longer the domain of teenagers, and has evolved into an actual career dominated by adult women. Kana becomes a magical girl for a scrappy start up company, and tries her best to navigate working life.

It’s the magical girl story about adult women I’ve been craving for years! Magical girl media often explores the struggles of adolescence and growing up, and this show takes us to the next step by using magical girls to explore what it’s like to be a young woman entering the working world. The focus is one Kana struggling to grow her confidence and accept support from her workplace, but it also has a lot to say about companies exploiting their workers, prizing efficiency and growth over actually taking care of their customers, and it shows how the world could be better than what it is right now. Check out my review here for more detail!

I Married My Female Friend by Shio Usui

A pair of best friends enter a platonic marriage they both agreed to with the promise they’ll divorce if one of them falls in love. But one woman has decidedly not platonic feelings for her wife, and is trying to repress them...

This is a sweet, laid-back story from the creator of Doughnuts Under the Crescent Moon. It has a very slice-of-life feel, with the characters feelings and conflicts developing subtlety. There's a focus on domestic life and the compromises and struggles one makes along the way. It's set in a world where gay marriage is legal in Japan, which is cool to see. If you liked Doughnuts, or are just looking for a chill yuri, I'd check this out!

Himawari House by Harmony Becker

Himawari House follows the story of Nao, a half-Japanese woman who immigrated to America when she was young. She's now returning to Japan and feels a feels a deep sadness from how disconnected she's gotten from Japan's language and culture. While in Japan, she lives with two other girls, Hyejung and Tina, who are from South Korea and Singapore respectively. They form a friendship as all of them struggle to get used to Japan and deal with language barriers.

We get the interconnected stories of all three girls, and all of them are really interesting in their own way. This story does a lot of cool things with language, for example, showing words fading out when someone can't understand them, giving the reader the same experience the character is having trying to understand the language. It was a fascinating experience. The book does an effective job exploring Nao's feelings of alienation from both America and Japan, while having a lot of other interesting plotlines that made all the characters feel rounded and developed, such as struggles with independence and expectations from parents, trying to navigate romances, and dealing with homesickness. The art is beautiful as well. This is a well crafted and insightful story, that you might find especially great if you're interested in languages, cultures, stories about identity, and stories about Japan.

Kiss and White Lily for My Dearest Girl by Canno

Kiss and White Lily follows multiple lesbian relationships, with its main storyline being about two academic rivals, where one is determined to rank first in class, and the other is an effortless genius who becomes intrigued at the possibility of someone beating her.

The main couple have the kind of messy combative sexual tension I wish we’d see more often in yuri because it’s so good. I just love the drama and mixture of rage and attraction. The manga follows other couples too and while some stories are stronger than others, they're all usually entertaining in some way and its fun to watch the characters grow. The art's also very cute and the characters are vibrant. The ending is really strong too, putting a perfect cap on the story of the main couple especially.

However, big warning for some nonconsensual kisses in early volumes, with Kurosawa being especially pushy. There's also a storyline with...well it does leave you a little wiggle room on whether it's actually incest between a minor and an adult portrayed romantically??? but um. the implication is strong. Fortunately, that's mainly contained to the seventh volume--you can just skip any stories about the sisters.

When the manga is good, it's really good, and that makes up for some of the questionable elements for me, even if I wish they weren't there. You might agree or disagree!

Ongoing and ended titles:

Here's a look at some of the ongoing titles I've been following! You can look at this post for breakdowns of what they're all about and why I recommend them.

I Think My Son is Gay and I Want to Be a Wall both wrapped up with fairly open endings but remained good reads over all. I finally got around to finishing After Hours, a yuri about a girl who gets ditched by her friend at the club, only to meet a cool punk girl who introduces her to the world of DJ-ing. It's a very charming three volume tale, and I love the playful vibe and more natural-sounding dialogue, especially for the cool party-girl love interest.

There are several manga that just stay the course as far as being excellent go: Otherside Picnic (which is finally at some of the best parts of the light novels! It's getting real!), Monthly Girls Nozaki-kun, Witch Hat Atelier, A Man and his Cat, How Do We Relationship, March Come in Like a Lion, The Summer Hikaru Died and She Loves to Cook and She Loves to Eat.

For Yuri is my Job, I have to warn for a intense predatory sexual assault scene between an adult antagonist and one of the underage main characters. It's even ambiguous whether the underage character in question got raped for a few pages (but she wasn't). It's completely framed as a an evil, bad act by the antagonist, but how it was handled was SO intense and kind of weird I'm not sure how I feel about it. Yona of the Dawn has gotten incredibly intense lately and continues extremely slowly but surely approaching the finale. Maybe we'll get it in four years or something.

And that it! I'm going to happily keep reading all these manga, as well as continue checking out some new ones, like Akane-banashi! I hope you enjoyed these recs.

65 notes · View notes

artfightdramaconfessions · 19 days ago

Note

I'm autistic and I have a really hard time expressing my feelings sometimes. I always say "thank you" to everyone who makes art for me and always try to add at least something about what I like about the piece. "I like how you shaded this piece!", "I love the way you drew her eyes!", "It looks really cool how you styled him!" etc. so it doesn't come off as just a generic copy/pasted "thanks I guess" because I do genuinely like these pieces.

But growing up I would always get shat on by my family for being "ungrateful" because I'd open up bday/Christmas presents and then basically react the same way. "Oh wow! This is that book I wanted! Thanks so much!" But because I wasn't jumping up and down, screaming and crying so hard I threw up because I was so happy and grateful to have this gift, I'd get labeled as "ungrateful". And because of that experience, even with me making that addition, I can't help but feel like people are reading it the same way sometimes. ;v;

But as I've gotten older, I've learned to ignore those feelings more. Sure, there are going to be assholes every now and then who are going to think I'm being "ungrateful" for not writing a 10-page essay on how much I love the art they made, but if they're going to get that upset at a simple "thank you", then that's their problem to deal with. I don't join Art Fight to seek validation from others and I shouldn't expect others in general to have joined for that reason either. As long as I am saying "thank you" and acknowledging the time and effort those artists put into drawing my characters, I think that should be good enough! After all, there's hundreds of thousands of characters on Art Fight, and they chose mine out of them all; that's pretty cool that I was able to inspire them like that!

But I guess in the end what I'm trying to say is to not get discouraged or feel like you're being ungrateful for not writing 10,000 word essays on how much you love the art you've gotten; a simple "thank you" is good enough and anyone who says otherwise is being a dick. And for the people who are getting upset that they "only" got a simple "thank you" and nothing more, consider that they struggle with expressing themselves like me? They might be mentally freaking out about how cool your piece was, but they don't know how to express that to you. Not getting 12 paragraphs of them gushing about the piece doesn't mean that they hate it or dislike it either.

(please keep me on anon)

#submission

56 notes · View notes

lunarriviera · 1 month ago

Note

What are your thoughts on the last ep of under the skin...that cant be shen yi right...im seeing a lot of twin theories but thats a weird plot twist honestly 😅

to answer this question i guess i have to get up off the floor first, where i have been lying facedown and motionless since uts2 ended over a week ago. two weeks ago? yesterday? today? i don't know anymore i've lost all track of time, who are you? where are we?

oh right—the s2 ending. you must mean this scene, right? what a great way to end things! du cheng, happy, walking to meet a group of friends at his birthday party! truly wrapped up the whole drama, and left us in such a heartwarming place with our favorite characters!

...oh you didn't mean that ending? you mean there's another one?

[mindless screaming behind the cut AS WELL AS SPOILERS]

[and this winds up being about all of s2 as well as the final tag, OOPS]

so okay listen before i can even address this without the mindless screaming, i have to level with y'all here: s2 was rough on me. there are only like three du cheng stans in all of anglophone cdrama fandom and i'm probably two of them ( @wannings-wontons is the other one, thank god for her). i've written eleventyleven fics from his pov so i am ferally protective of my big stupid hot cop son. this season put him through the goddamn wringer and for my taste there were just a few too many scenes of du cheng looking like he was about to burst into tears while shen yi was smiling winsomely, for all the world as if he were not the one personally causing his captain to experience devastating mortal agony. allow me to demonstrate.

in the driver's seat: unspeakable anguish. literally can't talk.

in the passenger seat: hey nice air conditioner! guess what i have a new friend! i spent the night at his place, talking about infinity and human potential! in a few more episodes he'll be a murder suspect!

(i'm getting to the cliffhanger, believe me i'm getting there, no really i am, we just have to spend a minute dealing with the divorce arc first)

because, while i absolutely adore angst bambi (as @whomst-art-thou-whomst-whomst has immortalized him), and thanks to @elenothar have firmly adopted him as a most beloved emotional support twink (not least because i suspect tan jianci is himself kind of a genius; no triple threat should be this good of an actor), i also honestly not infrequently this season wanted to drag shen yi into the men's room by his pretty hair and flush his pretty little head down the [redacted] until he came to his pretty little senses. because while later in the arc he clearly is, you know, attempting that deep-cover thing, and has to reject du cheng to his face, right in front of Evil Eugenicist Art Critic Weasel Man, in order to gain Weasel Moriarty's trust, etc.—

there are also a bunch of times when du cheng is visibly upset and miserable and in genuine pain, and shen yi just laughs. literally laughs at him. like tan jianci what are you doing, do you want the audience to dislike you? how are you trying to play this?? are we supposed to think, wow shen yi sure knows what he's doing? are we supposed to think he suddenly has the world's worst taste in men? because long before Weasel Man smashes a vase and snaps at his lab assistant and possibly kills someone and has assorted tantrums which start to tip off shen yi that maybe his new bestie is kind of a bag of dicks—long before that starts happening? shen yi just likes that guy. he LIKES him. enough to quote whitman to him (fang kaiyi you take his queer name out your mouth); enough to stay up all night painting the stars with him and we don't know what all else. enough to hang out in his lab for days on end, listening to junk science and pretending to understand the human genome and just what. shen yi. WHAT. he's literally a Bond villain styled like an asymmetric reptile—all this, just because he's tall? and he's gone to the symphony a few times? what, because he negged your painting, and that turned you on? i shouldn't have said any of that, but i did; and now i refuse to take it back. because inside me are two wolves, and they sound like this:

one wolf has been extremely online for many years, and thinks she's very hip and chill and jaded. this wolf talks in memes and laughs at herself, and she's like: “haha fun drama! Solving Crimes Through Art! lol i can't believe this turgid love song playing over a romantic montage, wow it's so stupid.” and also: “lmao divorce arc so hilarious, WELCOME HOME CHEATER lol get it, good joke right?” and: “oh my god why is there another pointless cliffhanger, they will NEVER GET a s3 what are they thinking. this scene is therefore not canon and can be safely ignored, just like the s1 tag turned out to be a ~~~dream."

but the other wolf is lying motionless in her barrow in the darkness flat on her stomach in mouldering leaves and mud head resting on crossed paws staring into the night with her old yellow eyes and she says they stabbed my son and left him alone in his blood and the last thing he saw was a cruel face worn by the boy he has come to love a boy standing at the end of the alley looking down at his phone who then moves past him and keeps on walking

and then, you know. then i lie on the floor for a week! which is fine, i'm an extremely psychologically healthy person who has certainly not at all outsourced her entire emotional well-being to an imaginary public safety bureau criminal investigator on the coast of southeast china.

so what do i think about the cliffhanger? here is what i think about it; and again, sorry for the hatchet job on shen yi but it was relevant:

1. i do think it's a dream, yes. they've already played that game with us—we waited two years to find out who was carving up shen yi's creepy murder-red self-portrait and whomst should it be but…nobody! just shen yi having nightmares about his future fling, apparently. (notice, too, how fang kaiyi GRABBED that craft knife, which shen yi had deliberately left on the easel, and didn't even ask why it was there. he might be tall and elegant and have good taste but he's nowhere near as smart as you are, shen yi. do better.)

2. whose nightmare is it, though: shen yi's, or du cheng's? remember that the first time du cheng meets fang kaiyi, he tells shen yi, "he reminds me of someone: the old you." (and shen yi laughs merrily, even though nothing about that is funny, either the observation or du cheng's immediate mistrust and jealousy. TAN JIANCI WHAT THE HELL ARE YOU DOING). then, later, on the precinct rooftop, after the case is all over, shen yi confesses yet again that there's something in him that's not altogether good, that he has quote "demons," and that if he hadn't met du cheng, he might have gone down some vague unspecified dark path. not quite sure how a portrait artist was gonna become a mass murderer or whatever, but okay i guess. there was something off about shen yi 1.0, and du cheng could see it even a decade ago and he didn't like it then any more than he does now.

given all that, then, the nightmare is probably shen yi's. he's prone to them anyway, and he knows now how badly he's hurt du cheng, and that he came dangerously close to, well, getting into bed with the enemy. i don't think it's even until fang kaiyi is so limpidly nonchalant about zhou shanshan's death that shen yi's inner moral compass comes shrieking back into play (and then it really does; shen yi who never raises his voice out there just shouting that man down).

there's one argument to be made for the case that it's du cheng's nightmare, though, which is the way that he looks up at the camera at the very end of the shot, and laughs. shen yi 1.0 is standing too far away for that to be his point-of-view. so who's standing over du cheng? and who would he laugh at, in recognition, like that? shen yi 2.0, presumably (or 3.5? not sure what version we're on anymore).

either way here's my final observation, and then i swear to god i'll shut up, before the shen yi stans come for me like maenads. i was chatting with @wannings-wontons and she said something that absolutely blindsided me, which is that the cliffhanger literalizes the arc of the series: shen yi did, in fact, metaphorically stab du cheng in s2. why else would either of them dream that? du cheng being badly, even fatally wounded by arrogant young artist shen yi is precisely what happened during the divorce arc. and their reconciliation was so heavily censored as to be, to some of us anyway, unpersuasive. (two cops, talking on a rooftop all night! five feet apart cause they're not gay!) as @wannings-wontons said: "the last scene just reflects how badly hurt he was. and we're left to decide whether he'll recover."

so which is worse, dreaming that your lover stabs you? or dreaming that something twisted inside you stabs the man you love?

tldr, shen yi doesn't need a soap opera evil twin: he's his own evil twin, and he knows this. and what is more, du cheng knows it now too. if there's ever a third season, which seems completely impossible to me, the writers have to know that they have NOT fixed this.

fortunately, we have something censored production companies don't have, and it's called fanfiction. so bring on the episode codas, my friends. bring on the long painful conversations and the shouted arguments (du cheng never even got to yell, except once in a parking lot because he was frantic). bring on the tender reconciliations that can only come after those blowout knock-down-drag-out fights, and are therefore real and grounded, not stilted, wooden, woefully inadequate mockeries of reunion. let people throw furniture and cry and try to explain and plead and confess and even, sure, why not, grab the other person and kiss him breathless, and say I don't want to do this without you, say don't put me through that ever again, say but this isn't enough and I need something different, say okay then let's figure that out together, say i'm sorry i hurt you, you're the most important person to me and that's the last thing i ever want to do.

it's up to us, not to leave them there in the alley like that. but the good news is if it's work, it's only work. and it's our work to do.

#under the skin 2 #du cheng #shen yi #fang kaiyi #jin shijia #tan jianci #under the skin spoilers #under the skin meta #under the skin #猎罪图鉴 #猎罪图鉴2 #fanfiction fixes things

63 notes · View notes

creatingblackcharacters · 3 months ago

Note

Do you have any techniques/tips for drawing graying coily hair? I have a lot reference photos saved but when it comes to copying the look, afros in my art style end up looking like a block of color with a hard gradient of gray to deep brown/black or deep brown/black with noticable squiggly gray/white lines. I don't have a realistic style and have not seen many older/aging Black characters from the artists I follow, and I'm not skilled enough in a realistic style to copy a reference 1 to 1. If you have any recommendations of artists who draw graying coiled hair or any tips on how to incorporate lighter colors into a coily texture (this would go for dyed hair too), I would appreciate it so much. I have also struggled to find comprehensive photo references of how graying locs would look, how the lighter strands pattern with the darker ones when locked. Also, is there anything specific you would want ppl to know or include about aging Black and textured hair? Balding patterns, hair care specifically geared to older ppl, any general knowledge off the top of your head that could direct on what to watch for and include? Thank you in advance and have a good day

Ombre effects and/or blending! You can find this in dyed hair as well. Greying is not always even, anyway, if you're worried about symmetry.

But yeah for grey hair I'll usually do a base color of the original hair color, then spray paint the grey towards the roots out to wherever I want it to reach in the hair. Then I go back and use the hair brush textures to add the greying hairs and highlights where necessary. This works for locs and afros for me.

There's also a Black artist, @prinnay , that I think does an excellent job of using color to show different highlights in the hair. Here's a small example of a bit of grey and white in one of her pieces. Just because it's a bunch of different colors not blending when you look close doesn't mean that the effect won't be there when you step back overall. I would suggest studying their work as well, they're a far better artist than I!

As for aging hair care, nothing that I wouldn't say about our hair in general. Maybe that the texture might soften as the hair greys and to be more careful because aging hair might not be as strong. Balding isn't a unique experience to Blackness. And as always, I suggest following more Black artists and studying their work 👍🏾

#creatingblackcharacters #thatsjusttips #black character design #black hair

64 notes · View notes

star-daughter · 6 months ago

Text

Whooh boy. Hi everyone! Sorry, It's been a while. But I have quite the post for you all today, because we'll be talking about a webcomic I just finished! ... I will warn you all though, that I do not have the kindest of words to say about it.

You may be aware of this comic, as it has a considerable following, especially here on tumblr, the comic is called Sparklecare. It currently has 4 volumes and is on a short hiatus so the website can finish it's redesign, but the plot summary of the comic from the last available snapshot of the website is as follows:

The comic follows the story of a cat named Barry Ill and his experience of being admitted to the Sparklecare hospital. Despite its glamorous reputation, the hospital is actually a prison that tortures and kills its patients and drains their families of insurance by the corrupt hospital's owner, Dr. Cuddles. Cuddles is a greedy Capitalist scumbag who cares about nothing but money, and so far, everything is working out for him. Any patients who escape or try to speak out against the hospital aren't believed and are written off as crazy. The story follows Barry's journey into uncovering the truth about why this place really is the way it is, and why nobody's talking about it.

From the outside, the comic is very striking and intriguing! From it's prominent art style and art direction, to the concept itself, it sounds like a fun time! ...Right? Well that's where the comic gets you; see just like the in-universe hospital, Sparklecare isn't as inviting and pleasant once you really sink your teeth in. And I'm here to talk about why I think that is.

Before we begin, I'd like to clarify since I've become aware of the community's um... Questionable attitude towards critique, that if you enjoy Sparklecare, that's totally fine! I'm not gonna tell you what you can and can't read, I'm here to express my own thoughts on it.

Now, I won't torture you with this post if it ends up on your dash, so the full post will be under the cut! Please check the reblogs, I may add more there if I run out of space.

Also, CW for bright colours, blood and a whole heaping o' medical mispractice.

Before I get into some of the more serious issues with the comic, I wanna first start off with the thing you're going to first see trying to read it: The art. Here I would say the website, but since it's getting a redesign, I don't feel confident speaking on it. I'll leave one note on it though: it needs serious optimization...

Onto the art: I will say, I found the art quite charming, especially the art in the first 2 volumes. I think the comic has a way with setting mood and tone using it's palette, specifically in the dramatic "blue/red" scenes - I think those look gorgeous!

The style in volume 1 & 2 is also very pleasing to the eye, although it can look off at points. I think the style succeeds extremely well with it's tendency to give characters large, exaggerated expressions - it's very cartoony and I love it. The lineweight is also used very well in my opinion!

However... There's a few big elephants in the room that they are The designs, lettering & panel work.

I'll begin with how the series handles it's lettering, as it's one of the most important parts of a comic. Although it's unique, that does not mean it's good.

In volume 1, it starts off fine enough, it's a simple speech bubble with white/black text.

It sort of flip-flops between having a shadow/glow and not having one, which although confusing and hurts my eyes sometimes, not a deal breaker! The bubbles are all colour coded also so no matter the scene, you understand who is talking. That is very good! I like that! I wish the colours weren't as bright as the backgrounds, but I understand why they are.

Volume 2 introduces what I consider my favorite of the lettering styles, big bold outlines with bubbles that better surround the text!

It's easily the most recognizable lettering style of all the volumes, and it's very readable. It's simple, but lettering is at it's best when it's simple and understandable.

This volume's lettering also introduces colour coded words & different fonts.

Which, I think looks lovely! It adds personality, and since fonts carry different tones with them, it helps with emphasis and how people read the dialogue. However, this isn't to say I think this lettering is perfect.. I'm not a huge fan of the random dots & spots, I think they clutter up the page when there too many characters on screen speaking, which distracted me from focusing on the actual words they were saying.

It also changes mid-way through volume 2! Suddenly, we get character-coded dots & spots... Which, cool in theory, but in practice, as I mentioned, it clutters the page if there's too many characters speaking at once.

Plus, they're used on background characters who do not appear again after their introduction, which is such a waste... If you're going to introduce these character-specific details, they should be used on characters who are important, not character we'll never see again.

When we get to volume 3 & 4, the lettering style almost completely solidifies, the same big bold outlining from volume 2... But now instead of just having personalized dots, we get fully personalized speech bubbles. Which, again, cool in theory! But in practice it's just... So hard to read.

On lettering, I will applaud the use of a custom hand-written font. It looks great! It's fairly clear and adds a nice touch to the comic's overall appearance... But how they use the font is, in my opinion, awful. Characters talk way too much for how much page space there is, which means that there isn't enough space for the bubble to encompass the text, which means text needs to get smaller.

These pages are over 2000 pixels wide and tall, but there's no consideration for how the images & text will look when shrunk down to fit into a normal browser page, which means the text gets tiny and barely readable if there's too much of it - which there often is. I'll get into how I feel about the writing in a moment.

On the panel work, it's fine, it's not super jaw-dropping but it's serviceable. Where the panel work starts to fail though, is it's pacing. See, in comics, pacing is extremely important, good pacing means a better and clearer reading experience, bad pacing can leave the reader confused and force them to reread repeatedly to understand what's going on.

Sparklecare suffers from this heavily, I feel. Take a look to this page below, while not the worst example of it, I think demonstrates a bit what I mean.

There's a lot of text, similar looking shots, and... Very little background to help, well, ground where we are, which made me feel dizzy while reading. There's not a lot of proper flow, because speech bubbles float all over the place, often times out of order in which you are supposed to read them. You tend to dart your eyes all over the page to "properly" read it, which makes for a bad reading experience - the clearer the order is, the better the flow.

On backgrounds, I do not like the near-complete lack of them. Sparklecare gets around backgrounds by filling the colour voids of the panels with dots, specks, lines and patterns - but they don't do the job! It makes the pages feel more cluttered and difficult to look at and read.

Even when they do have backgrounds, they're also filled to the brim with patterning to take your mind off how often strange they look.

Being unable to see what's going on is a reoccurring issue with the comic, and it doesn't just end at the panel work or backgrounds...

The character designs in Sparklecare also contribute to the visual clutter, what with many of them having many small details or otherwise being unpleasant to look at due to their colour palette.

Here's a few examples of characters I think have too much going on or are just eyesores. And see, I get it, they're supposed to be sparkleanimals - designed like a kid on DeviantArt was making them in 2011, but you can get that look without making the designs hurt to look at. Sparklecare both tries to work within a limited palette and tries to have every colour possible on a character and it pulls neither off well. Not to mention, the multitude of small dots & details, adding more to the pile of small dots in the comic.

When a ton of characters are on screen, it tends to make things more confusing to look at - due in part also to the comic's continuity issue. Things or characters that are in one panel or page, will disappear the next, or swap places. Overall, small art issues pile up onto a mess of bright colours and rainbow.

Now here's where we get to the fun point, The writing. Oh boy! For the most part, or at least in volumes 1 & 2, the writing is completely fine. Complicated, a bit odd, but nothing to scream about... Until volumes 3 & 4, because that's when the issues in the writing really starts to show it's rainbow-speckled face.

I'll be direct, I don't like the writing in Sparklecare. The characters are typically unlikable or annoying, and when they do have something interesting going for them, it gets walked back on for plot reasons. Characters also seem to be unable to do wrong, unless they're deliberately out to be the bad one. Characters will do something bad, but get reassured that everything is fine and it isn't their fault even though they did something bad - which is weird the first time, but awful the next 40.

The writing does have it's good points (I liked most of the writing in volume 2, I thought Hemera's struggles with wanting to keep her friends safe was really interesting and I liked the chunklings), but there's prominent issues I can't shove aside.

I namely have issues with the humor, specifically it's uh... Sexual humor. Now, don't get me wrong, I love a good penis joke every now and then, but volume 4 has about 5x the sex jokes of any volume. It was genuinely horrible to sit through because I knew every serious moment would get a joke about stroking it a page or two afterwards.

(One note on that first image there, it happens right after Barry [the green guy] completely belittles and insults Uni [the purple one]...)

The meta humor also felt very, very forced.

It always came out of nowhere, and completely out of place every time it was used. I like meta humor also, but this is supposed to be a more serious comic, yes? I mean, it should be considering the topics at hand, so suddenly throwing in references to this being a comic feels weird to read.

I will say, I do like some of the jokes, specifically these ones:

Let me circle back to the character writing really quick, because there was characters I enjoyed! ... Just not the main ones.

I think, out of everyone, my favorite characters were:

Several background characters with no lines

Dr. Party

Cyn

Jean

Rem

I also really enjoyed how Cuddles was written in volume 1 & 2, he felt very threatening to me.

Outside of these characters though, I found little interest in the main cast and even found myself rooting for the downfall of a few of them due to their poor writing.

Specifically on Barry, there's a small arc in volume 2 where he realizes he needs to stop violently denying that Uni has magic (Which is a stupid plot in my opinion, by the way, considering the worldbuilding has a lot of magic in it. You'd think the smart guy character would know that?) after Uni's magic helps them in the dump. However, right afterwards, in volume 3 & 4, Barry goes right back to verbally assaulting Uni about how magic isn't real! It's not enjoyable to read, and makes no sense to me after what happened in volume 2.

One note, since I don't know where to put this but, I don't like doom. I really don't ... I think I'm supposed to feel bad for him? But I can't! I saw him in volume 1 take glee in having power over the patients, and as the site states:

Doom is not a normal nurse, because he takes on the role of a doctor by harming people alongside regular nurse duties.

He literally tortures people! I'm sorry, I cannot forgive that! No matter how bad he feels about it.

Some more notes on writing before I end this because it's getting too long.. The disability rep in Sparklecare is, questionable sometimes. For the most part I think it's perfectly fine, buuut there are moments I don't think of fondly.. Specifically this moment in volume 2:

Barry starts having a paranoid and panicky moment due to his contamination OCD (Because they're in a literal trash heap) and Uni decides to...

Call it cute??? Genuinely what the hell, who thought this was a good thing to put in here? I haven't read the spin-off AU comic, but I hear it treats it's character with OCD even weirder. Yuck!

On a related note, I hate the cutesy names for disorders. They don't even come up often in-universe, there's little purpose in having them, especially if most of them are just real life, actual disorders. I know it's about an abusive hospital but come on man! You don't have to use baby names for everything! You don't even follow the weird naming pattern for everything! Things like autism don't get a weird cutesy name, but OCD and depression get one? Have some consistency if you're gonna make a weird universe decision.

Alrighty.. This should be the end of it, I'm not sure how to end it because there's still more I want to talk about! I'm super-duper open to talking about anything I've said here or elaborating on why I feel certain ways. This is in no way meant to be a hit-piece of the creator of Sparklecare, I think there's a lot of protentional, and I simply adore some aspects of the comic (Specifically visually). I really do hope this comic will improve over time and that it sees a long life of success.

If you come to this post to disagree, I ask you read through what I say carefully and come at me respectfully, I have no interest in fighting with people over a webcomic about furries.

-Mod Star

#mod star #sparklecriticism #sparklecarecriticism #sparklecare criticism #sparklecrit #I was considering posting this in main tags until I realized I'd get my ass destroyed. Oh well!#Apologies if anything is worded odd or has typos #I was distracted often while writing this and it is quite long so I proofread as I went.

77 notes · View notes

qsycomplainsalot · 1 year ago

Text

AI isn't Art it's just Illegal Predatory Randomized CGI

Reposting this because OP blocked me, can't begin to guess why.

Photography, collage, readymade and various of the more abstract styles of painting and drawing are all art, and AI isn't. Why is that ? Simply, there are skills required to make technically interesting artpieces using these media, let alone meaningful ones. A skilled photographer might not be skilled with a pen, but their knowledge of composition and observation will always be transferrable to a new medium, in a way that they'll never start their art journey from scratch again. Because they're already an artist, because they've already done art and are skilled at it. Speaking for myself it took me a decade to get to a level where I was able to get paid for my work drawing traditionally, and once there it took me less than a year to reach a somewhat similar level switching over to digital. The skills are more comparable than with say collage or sculpture but the core principle still stands: I had gone and learned traditional art in art school, and while there I learned a slew of skills that were not at all limited to one tool, and when it came to switching I did not have to learn these skills again. Because by that point I was already a trained artist. I could just switch to sculpting with clay tomorrow and the biggest challenge would be to find a new market more than any skill issue.

Meanwhile fucking about with a computer to generate new pictures randomly has NO transferrable skills whatsoever. So much of the work has been taken out of your hands by a pattern seeking piece of software that it is impossible to learn anything from the experience. It's just plain to see when before you click the doodad to generate a new picture, you have NO IDEA what it will look like, none whatsoever unless you've been iterating on it before. You're not having an idea, formulating it in your mind and applying your skills to getting it out into the world, you just sort of have an idea and then a machine does the actual art work for you.

The only way you could possibly get better as an artist from doing this is if somehow you were deluded enough to think the process of scalping every artists' work in history was ethical, while also being observant and caring about art history enough that you'd learn critical skills from looking at the result of your quotation mark work end quote. Which is something you can do by going on a museum, or the internet. And if being an art historian isn't good enough for you, I invite you to actually join the elite exclusive vip club you're funding the death and automatisation of, by simply picking up a pen and piece of paper and starting to draw. It's that fucking simple.

PS: People trying to compare writing prompts with poetry: poetry does not include a stage in its process where all your artistic intent is surrendered to a machine to churn out a mash up of unethically sourced content. Nobody is going to buy a small book of computer generated picture prompts to keep on their night stand. You guys are delusional.

#rant

399 notes · View notes

koinotame · 5 months ago

Text

word count: 1.7K content warnings: general yandere content warnings and allusions to nsfw/sex but nothing super explicit

summary: it's your birthday!!!! what it's like celebrating with my ocs

a/n: i can now legally drink in a country i'll never visit 🎉 + bc i'm feeling nice another sneak peek of the new guys as well

gacha isekai group:

first prince: only finds out after your birthday has passed because he's still doing the hot and cold act and genuinely breaks down crying. is lucid enough to realise maybe you're trying to be discreet so only hosts an elaborate dinner for the two of you instead of a national banquet and a barrage of gifts he think you'd enjoy

first hero: terrible gift giver who spends the entire day fussing over you. holds open doors, carries all your things, flexes when you ask because you like his muscles even if he's burning from how embarrassed he is, reminds you you could do anything to him and he'd still love you forever and ever and ever and— and so on

second hero: between the fact that you're almost definitely already overwhelmed from your entire harem and you treat (unfortunately most of your harem and not just) him like an object anyway, he doesn't dare get close on the actual day. a couple days later he just kind of silently presses something small but meaningful into your hands and wishes you a happy belated birthday. you pat him on the head dismissively and send his stomach soaring, but you look happy with it so it was worth spending his entire month's salary on

vampire: shows up in your bedroom in the morning dressed in basically nothing except a rose in his mouth and offers himself to you. he's your toy any day anyway but you can make extra use of him today… when this doesn't land he's distraught and attempts to make it up to you by buying you some really extravagant tools or materials you'll make use of

werewolf: doesn't have much to offer, so… you mentioned you were interested in seeing his true form a while ago, right? do you… want to see that now? he'd tower over you like this if he wasn't so busy rolling up at your feet and showing you his tummy. you can take him out on a walk with a leash, humanoid or true form, but to be fair you could do that any day

playboy: his gifts are surprisingly practical; think something like a water canteen or some very soft, very fluffy towels. he takes you out on a little tea party date as well, ready with all your favourite pastries, then offers to play and/or sing you a couple songs. overall focuses on giving you a nice, calm couple hours, partially because he loves you and partially because he's trying to cement himself as the better, more thoughtful option lol

immortal: brings you breakfast and surprises you with several hand sewn, incredibly sturdy and very much your style pieces of clothing. since your own had been getting a little ragged, and you complimented his sewing once… see, this one's even in the style of your clothes from back home! seeing how you've been homesick lately, he thought he could alleviate that a little for you. and if you'd really like him to, he could give you a kiss as a gift too…

living doll: since they don't technically have any living expenses, the army just kind of… doesn't pay them… so they don't have much to work with for gifts and frankly they don't really get the point of celebrating something like the day you were born on, but they let you dress them up really nicely and offers to match so they can at least make you look better throughout the day

lab experiment: gives you a handwritten light collection (it's a whole book) of poems and little pieces of art they've made of and/or for you. the contents are kind of concerning but the gesture is really sweet. also gets you some pressed flowers and your favourite treats, then ends up rushing back to their room to hide because they're worried none of this is enough for you

mage's apprentice: spends the week before your birthday asking you strange questions and hiding away in their atelier. you don't see much of them on the actual day until the evening when they shakily wish you a happy birthday and drag you out to the gardens, where they've prepared a special fireworks show just for you

disgraced god: doesn't know it's your birthday at first because the concept is kind of entirely foreign to them, but is not about to be outshined by the rest of your harem. they're always at your beck and call anyway, but they make sure to up the doting (and monopolise you as much as possible) to the max on your special day

servant: it's not really his intention, but he ends up coming off as if he's trying to prove what a good husband he'd make to you. he gets you some trinkets you've been eyeing for a while, but also some of the officials who'd been giving you a hard time recently have seemingly vanished off the face of the world and he seems extra proud of himself today…

otome game group:

crown prince: national banquet!!! no i'm serious he throws an incredibly extravagant banquet for you. his father isn't super pleased about the misuse of funds but allows it since the two of you will be married soon anyway. gets you so many gifts it's a little scary. at least one of those is a collar and leash he wants you to put around his neck and absolutely wants you to dig in to him

heroine: doesn't really have the financial means to get you much, so instead she invites you to meet her family and spend the day in her house. apologises for how it's not much but expresses how happy she is that you're willing to spend the day with her and makes sure to cook all your favourites

villainess: invites you to spend the entire week surrounding your birthday at her estate, and then spends literally every single day celebrating your birthday, including daily banquets and a massive pile of gifts. expressing worry that this is too much just makes her go harder, because clearly you don't understand how important you are to her and spoiling you more will fix this

1: not to worry! he's already chased off your three persistent noble suitors, so you can spend all day at your own leisure. and if you're upset—either at the hassle with the other three, or at his actions—well, you can always take it out on him? he's already always there, but like today he really turns up the doting. overjoyed when you push him out of the way while pulling on his hair at one point

2: pools together some of his savings to buy you a nice piece of jewellery. presents it to you shyly when you have a moment to yourself and offers to take you out to a restaurant if you're willing to sneak out… or you can have him in the comfort of your bedroom, if you'd like

3: just kind of shows up at your estate with a bouquet, a couple handmade plushies in what they hope are your favourite animals and some blessed protective charms. if they have reason to believe you'd react well, they might as well just straight up offer themself. not in a sexual way (unless you want it to be), you just own every part of them already so if it pleases you you might as well make it official

4: playing 4d chess with the crown prince and villainess to ensure she's the only one who gets to celebrate with you on your birthday. takes you out on a fun day to the capital, where she gets to buy you tons of gifts and also play the role of your personal princely knight

5: can't take the day off (spends a long time bemoaning this) but since it's customary for you to stop by his place of work for your birthday anyway he decides he'll just give you your gift then. gives you a very professional congratulatory speech, a slightly less professional brooch set that fits you to a t, and (if he thinks you'll react positively) a considerably less professional offer for you to be the one to give him nipple piercings

misc group:

house husband: makes you take the day off work to spend it doting on you. you best believe he's spent the last couple of months saving up some money to buy you gifts so tailored to you it's almost a little creepy. also brings you breakfast in bed, bakes you the best cake you've ever had and has a reservation planned for dinner at your favourite… and is definitely the type to tell you you have one more gift to unwrap at the end of the day (it's him)

horror protagonist: lol. she bounds up to you super cheerfully and gives you the eyes of her teammate, since you said you liked them so much a bit ago… you don't question how she knows your birthday at this point. is glued to your side the entire day (though you begrudgingly admit she's less annoying than usual) and offers to cook or bake something for you. doesn't mind (at all) if you want to take your stress out on her, but… she's trying to be sweet for today

6: takes the day off from his work despite your many complaints and spends it with you, insisting it's his turn to spoil you for once. you're actually kind of impressed at how accurate his gifts are to your tastes and how he managed to get them without you noticing. it's sweet until he takes the opportunity to attempt to coax you into taking advantage of him, lingerie in your favourite colour and style and all

7: spends his entire allowance on giving you the best day possible, but he's fumbling so hard for most of it. a special limited edition for your favourite game that's not worth the money, some admittedly very soft plushies of your favourite animals, and a new bag since you'd been complaining your current one was falling apart… spends the entire day trying to hype himself up to give you a kiss but doesn't quite manage. feels terrible about how lacklustre his attempt was (despite how happy you are) and vows to himself to make the next much, much more enjoyable for you

#some of these are better than others but whatever it's the most i've written in a good while

77 notes · View notes

jojo-schmo · 6 months ago

Note

hi jojo! im just wondering but ive been wanting to make a comic for a little while but im not too sure where to start 😅. i really love your style of art and your forgotten land roleswap, and i was wondering if you had any tips for beginners?

Hello, hello! Thank you for enjoying my Forgotten Land Roleswap comic, it means a lot! <3

I'm very honored that people have been asking me for tips and advice. All of this is coming from a hobbyist who draws these comics purely for fun outside of my regular day job. Some of my methods would probably deal psychic damage to a professional, LOL. But I'm more than happy to share some things I've personally learned! :)

First of all, the book, "Understanding Comics" by Scott McCloud ROCKS. It literally gave me a new dimension to understand the medium of comics and how it presents ideas and emotions to readers! And I haven't even had the chance to finish it all the way! I'm very happy I own a copy and I recommend having one of your own if you can, but it's archived here if you want to read it :D

I also like analyzing other comics and thinking about how they get information across to me as a reader. It's helped me learn more effective ways to visually tell a story, like what to include in a frame, how zooming in or out affects the feeling from the panel, maybe building a scene by focusing on other stuff if someone is talking a lot... etc.

ANYWAYS-! Some other tips I've learned through my personal experience-

I had to overcome a lot of negative self-talk in order to tackle a huge comic project like this and stay committed. I was a pretty severe self-deprecator for most of my life so far, and getting help has allowed me to catch myself when I'm slipping back into those habits, look in the mirror, and go, "NO, JOJO! You pour your heart into what you make and that is a wonderful thing! You are appreciated and loved and you deserve to have fun making something you are passionate about!!" Some examples of the negative self-talk I catch myself in....

"I'm a noob at writing and making a story interesting... What's the point of even trying?"

When it comes to starting a project, whether it's 2 pages or 2000 pages, is to just jump in and start! It's okay to be a little insecure or nervous about your technical art skills, writing skills, etc... But writing a "bad" scene is better than no scene- because you can always edit a "bad" scene down the line, but what can you do with nothing? Nothing!! I also put "bad" in quotation marks because I am trying to use that term less, and instead call them "early drafts." or "works in progress."

The first Roleswap scene I fleshed-out was the first Bandee boss fight, in May 2022. I made this drawing on an impulse, getting my ideas down on the page without thinking about the technical stuff like comic panel borders. I consider it like a "pilot episode" almost, haha. The final project is going to be very different from how things play out here. But it got me interested in the concept and excited to see where I could take it, and I made the decision to commit to an entire game plot's worth of AU comics!!

Also, what's the point in trying you ask? The point is to have fun! Making a fan comic in my free time means I don't have restrictions like deadlines, nobody's telling me what I can and can't write, and I can make the story as long or as short as I want! I have full control, which means the world I'm writing is all mine to create! Yes, with a fan comic there is a pre-established world with existing characters. But a universe like Kirby has enough open-ended concepts for people to take basic concepts in the world and take them to whole new levels! I think that's why there are so many amazing fan interpretations of Kirby characters and OCs. The rules are so vague, you can just make up your own a lot of the time!! And it's a wonderful exercise to learn skills for someday building an original world with all original characters from scratch! Magical!!!

"I'm not good enough to make a comic. I don't understand perspective or color and other stuff. Anything I make will look bad.

I once read a two panel comic on here. I can't find it anymore but I remember most of it. First panel showed the artist looking at what they're drawing on their tablet, looking defeated and sad. "Man, I don't even know how to draw this....."The next panel was like them smiling and shrugging, I think rainbows and sparkles were coming out of their tablet, ".....I GUESS I'LL JUST HAVE TO DRAW IT SHITTY!! :D "

IF ANYONE KNOWS THIS COMIC I'M REFERENCING, PLEASE TELL ME AND I'LL LINK IT!!! Because it permanently and positively changed my brain chemistry.

No kidding, making the decision to just do my best even if it's not perfect, helped me a LOT. I was always waiting to "reach a certain level" to tackle a huge project because I felt like I'd never do it justice at my current state. Except I had been telling myself that kind of stuff for years and I still didn't start any projects!!

So the day I said, "Oh well! If I draw backgrounds shitty, then it is what it is! I'll learn from it and draw the next background a little better," Was the day I could commit fully to the project. I'll keep studying how to draw them better for my own benefit, but I won't let my skill issues stop me from even trying!

And for my limited confidence in full-color art, I solved that by making the comic in black and white with no-to-minimal shading lolol. Because I can only address one skill issue at a time before it takes me 25 years to finish this HAHAHA.

It saves a BUNCH of time to work with skill issues rather than against them! Because at least experience is gained in other ways, and who knows, maybe that new knowledge will help address the skill issues someday! So identifying your personal skill issues and deciding which one to try to grow stronger, and which one to work around, could help with big projects!

"Nobody will read this. I'm going to put months or years of my life into a dumb little thing nobody will even care about."

Learning how to draw for my own enjoyment instead of somebody else's was one of the biggest breakthroughs I ever made. Enjoying the feeling of being challenged artistically and just doing my best, even if it's not technically perfect, is the reason why I was even able to start this!

And just because someone doesn't directly like, comment or whatever on a post doesn't mean nobody saw it! I used to get really down on myself for the lack of engagement on my art on other websites.

I was a lurker for pretty much my entire teenage years and never posted my own stuff or commented much. But that didn't take away the fact that I really enjoyed the things I saw online. Those positive feelings were real to me, even when I didn't know how to articulate it in words. Granted, I grew up into a Words of Affirmation main, and I use words to tell people the positive things I think about them as much as I can! But I know not everyone prefers words to express themselves. So I think about the people that I don't know enjoy my work- that just because I don't see it doesn't mean I didn't make a positive impact on someone by sharing my stories.

THIS IS GETTING LONG-- UHHH, STORY TIPS!!

If you work best on technology, start building the story in a Notes app, or a Google Doc! If you work best with pen and paper, start a notebook and rearrange stuff as you need to!

Or if you're chaotic like me, a mix of tech and paper!! I bought a notebook with ring binding so I can remove and rearrange pages of drafts as much as I wanted to! Like here's two very rough concept pages of one Chapter 1 scene made months apart.

I'd say planning out the biggest basic plot points and then filling in between as I went was most helpful! I also have separate notes for character motivations, important story-changing events, etc... So I can have my own reference when I'm writing new scenes!

Okay this was a lot, sorry about the yapping! Hopefully it helps even a tiny bit. If you have any specific questions I'm happy to talk about my experience in the creation process! Or elaborate on anything I said above.

And finally, because I'm not a professional there are probably plenty of other tactics that could work better for some people. My ADHD probably doesn't help with the chaos of my process either, HAHA. But thank you for reading this far and enjoying the peek into the rainbow glitter and soap bubbles that inhabit the right side of my brain, heehee.

#ref #roleswap bonus features #forgotten land roleswap #ask #king dedede #meta knight #elfilis #bandana waddle dee #comics

75 notes · View notes